Sarah Quill - Statue of Artemis, Villa Balbianello
Black and white photograph, 35 x 20 cm.
Limited edition of 10.
“Having never been to Como before, I was surprised at the sheer size and expanse of the lake. We were fortunate to be there in late April, with near perfect spring weather, and with vegetation and flowers in luxuriant bloom. Staying in Cadenabbia we were well away from the tourist throng.
We managed to cover so much during our four days there; the visits were really well planned, and our hosts so hospitable. The landscape and views are breathtaking, making one long to return.”
Sarah Quill
Black and white photograph, 35 x 20 cm.
Limited edition of 10.
“Having never been to Como before, I was surprised at the sheer size and expanse of the lake. We were fortunate to be there in late April, with near perfect spring weather, and with vegetation and flowers in luxuriant bloom. Staying in Cadenabbia we were well away from the tourist throng.
We managed to cover so much during our four days there; the visits were really well planned, and our hosts so hospitable. The landscape and views are breathtaking, making one long to return.”
Sarah Quill
Black and white photograph, 35 x 20 cm.
Limited edition of 10.
“Having never been to Como before, I was surprised at the sheer size and expanse of the lake. We were fortunate to be there in late April, with near perfect spring weather, and with vegetation and flowers in luxuriant bloom. Staying in Cadenabbia we were well away from the tourist throng.
We managed to cover so much during our four days there; the visits were really well planned, and our hosts so hospitable. The landscape and views are breathtaking, making one long to return.”
Sarah Quill
About the Artist
Sarah has worked for many years between Venice and London to create an extensive photographic archive of Venetian architecture, sculpture and daily life. Her book ‘Ruskin’s Venice: The Stones Revisited’ was first published in 2000, with a revised and extended edition in 2015. Sarah gives regular lectures, mainly on Venetian subjects, and is a trustee of the Venice in Peril Fund (the British committee for the preservation of Venice).